ABOUT THIS BLOG:

Before you read anything in this blog, please be aware that this is a writer's "personal" blog so many elements contained within are not the same opinions of those of any of the companies that the writer is associated with. This blog is simply for entertainment value and allows the writer a venue which is free from censorship.

CITY GARDEN - "The Old Woman & The Park"

CITY GARDEN - "The Old Woman & The Park"

On the set of the short film "A Gift"

On the set of the short film "A Gift"

Thursday, September 3, 2009

Film Review: TRANSFORMERS: REVENGE OF THE FALLEN


Let me just first say that the first Transformers I cared nothing for. It was a film with great special effects and action scenes but that was about it. It had stupid child humor and some of the most ridiculous comedic films of any Michael Bay film and I’ve seen all of his films. This being sad, Transformers: Revenge of the Fallen is better, but still not a very good film.


I could try to explain the story and plot of the film but why bother, no one cares about that any ways. They only care about the action, which I must say is a vast improvement over the previous film. I found myself engaged in the action scenes of the film. The battle scenes were slowed down and I could actually see what was going on (I’m not one of those action film junkies that need a cut or a close up every 2 seconds). The other thing is that the main Autobot Optimus Prime actually had a story behind him (even though none of the other transformers I could care less about).


Director Bay obviously thought hard about what was needed to improve the franchise as this is by far a better film then the first (despite the over convoluted background story) and the few problems I have with this film (mainly that the transformers are still nothing more then background fodder for Shia LeBeouf’s Sam character when the film is called “Transformers” and not “Sam Witwicky & The Transformers.” I’m nitpicking here as I am a fan of the ‘80s cartoon rather then any of the modern cartoon series of which these films are modeled after, so, I can’t complain too much.


Another great thing about the film is that the special effects have come a long way since the first film as the transformations are more defined and interesting to watch whereas in the previous film they came off as a blur many times. With the rate at which Bay is improving the ways in which these films are made by the next film I should actually be able to say that I like the film.

Film Review: A PERFECT GETAWAY


After the heavy science fiction films The Arrival, Pitch Black, and The Chronicles of Riddick, writer & director David Twohy has decided to take it a little easy with his new suspense thriller A PERFECT GETAWAY. Although this film may look like another vacation in paradise that goes to hell, Twohy has decided to go a different route with his film. The structure for the film is very different from his usual film as it follows three couples on vacation in Hawaii who soon learn that a young couple just married were recently murdered and that the murders are still at large. What follows is a tense psychological journey as the couples interact with one another and soon think that the other is the murderers.


A PERFECT GETAWAY is anything but that. Twohy takes his time with allowing the audience to meet all three of the couples and how they interact with one another. His screenplay is very tight and walks a fine line of being a suspense thriller verses being a top notch mystery thriller. This is made even more apparent by the better then expected performances from the cast (which includes Steve Zahn, Timothy Olyphant, Milla Jovovich, and Kiele Sanchez, to name a few) whom all are playing against type adding to the mystery surrounding the film.


Twohy proves with this film that he is just at home with a suspense thriller as he is with science fiction and that his psychological ghost story Below wasn’t just a fluke.

Film Review: THE COLLECTOR


The is a lot that can be said from horror film which are a relentless roller coaster ride from start to finish and this new (and I hate to say this) torture porn film THE COLLECTOR (2009) is a perfect example as one. There are many people who despise this sub-genre of horror film believing it to be nothing more then an excuse to show extraneous gore and nudity. Let me be the first to say that this film, at least, has no nudity.


THE COLLECTOR is in the genre of film that includes such films as High Tension, P2, Saw, Captivity, Hostel, and countless others. It is also a very dark film about desperation. The film is about a handy man Arken (Josh Stewart), a man who struggles to pay his bills and support his family and whose estranged wife is in trouble with her loan shark. In order to pay off the debt, he decides to rob the people whose house he just finished doing work on, while they are away on vacation. Arken has some unique skills as he is a safe cracker who knows the house has a walled in safe just ripe for the picking.


That night when he believes they are gone, Arken breaks into his employers house and realizes that he isn’t alone in the house. He discovers that a deranged killer has captured the residents of the house and is holding them hostage inside a house he has booby trapped with deadly traps. Now Arken must find a way out of the house because once you enter no one leaves…and least not alive.


Written by Patrick Melton and Marcus Dunstan this film has the tone of a Saw film which isn’t surprising since they are behind the latest Saw films (Parts 4-6, with a 7 on the way) but where this film differs from those films is in the fact that the traps in the house were never intended for him as he soon learns that this killer is searching for a worthy addition to his collection of living humans. Making his directorial debut, Dunstan’s tone for the film is very similar to the ‘80s renaissance of horror films reaching the big screen (i.e. Rob Zombie’s Halloween, Friday the 13th, The Hills Have Eyes, and The Texas Chainsaw Massacre, to name a few) except that there are no stars in this film. This is a great ploy as the audience never knows who is going to die or when.


Dunstan put together a great team behind the camera as the production design of the house itself is some of the best seen in quite some time and the cinematography is ahead of most of the horror films I’ve seen this year(and I’ve seen almost all of them). This film truly is suspenseful and has a lot of moments that will have you squirming in your seats. A surprise in this film is complete lack of comedy or black humor in this film which has become customary to Melton and Dunstan’s films (which can be seen in the Saw franchise not to mention the Feast films, which got them noticed). Because of the lack of humor this film may be a little too much for some audience members but I for one welcomed a horror film that wasn’t afraid to be too serious like a lot of our foreign counterparts behind the films Inside, Frontiere(s), and Martyrs.
Be prepared and be scared of The Collector.