ABOUT THIS BLOG:

Before you read anything in this blog, please be aware that this is a writer's "personal" blog so many elements contained within are not the same opinions of those of any of the companies that the writer is associated with. This blog is simply for entertainment value and allows the writer a venue which is free from censorship.

CITY GARDEN - "The Old Woman & The Park"

CITY GARDEN - "The Old Woman & The Park"

On the set of the short film "A Gift"

On the set of the short film "A Gift"

Sunday, July 6, 2008

Rewriting "The Nocturnal"

Last time in this blog I promised I'd mention the rewriting process I had to go through on my latest script "The Nocturnal." Rewriting this script has actually been one of the easier rewriting experiences I've ever had since the rough draft is pretty much exactly what I wanted to say on the page. I spent and entire day to sit down and reread the script and make subtle changes to the story and dialogue to make it all gel together...at least in my head.

The hardest rewriting experience I've ever had was on my script "Detour" which still isn't done. That script was too much like a David Lynch type of film that crossed back and forth between time and places and visualizing that whole story and concept was an experience I will not soon go back to.

"The Nocturnal" is a character film that starts off as being an unsettling "torture-porn" type of captive film without the "torture" elements that plays more on the psychological elements of the story while also playing with the idea that we live in a world inhabited by extra-ordinary beings with strange proclivities. It's an unusual film that I wrote as part of my "Tribe(s)" series of films in which I explore the lives of real life creatures, monsters, and odities living in our world among us. This series of films would also include several other stories I'm working on including "Freaks" even though I explore different time periods and characters.

Rewriting "The Nocturnal" was actually really fun and a treat in that I ended up enjoying much of what I had originally written without needed to change much (like what happened on "Detour" or even "I, Jack". Many people who read it may not pick up the parallels between the two main characters but I've learned through most of my writings that I like to present stories with two main characters that either complete opposites or exact similarities. This film the two main characters are very much in the same character just from different walks of life which ultimately lies in their intwined fate.

Upon finishing the rewrites I wanted to return to finishing "Freaks" which was a favorite story of mine for which I got a third of the way through a first rough draft. "Freaks" may have to wait though as I am about to complete a "shooting script" for "Shiver" before finishing up "Contagium" and "The Poet" both of which I'd like to finish before the end of the summer. I'm also working on a Spec script in the vein of "Law & Order" for resume reasons and to possibly write for the new local production Atlanta Homicide: HD. Although I'd love the opportunity to write for the show, I realize the competition is stiff and my ideas are a tad radical specially since my Spec script would require controversial subject material in the way of being about teenage suicide. Regardless this Spec script will be written as a feature length script to be sold, so, I hope something comes of that.

In the mean time I'm sending "The Nocturnal" to several people whose opinions I trust and can get me some feedback on the script. A friend of mine suggested that I do a reading of the script to hammer out the details that I might have and to answer any questions in this regards. I've decided to take this into consideration and to actually do this to help fix any problems that I might have in the script. I'll keep you informed on more of this as soon as I know.

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