The comic book industry and graphic novels have changed dramatically over the past decade. No longer dominated by the superhero genre the industry has allowed other genres to flourish especially the sci-fi and horror genres. A few years ago a graphic novel such as Challenger Deep would’ve been an oddity but in today’s market this sci-fi drama is the norm and publisher Boom! Studios has made it a norm to challenge their audiences with though provoking stories of all genres (including the occasional superhero book).
Challenger Deep is the story of an elite rescue team who must journey into Challenger Deep, one of deepest trenches of the ocean, when a nuclear submarine is damaged and sunken to a depth that no ordinary man could ever dive down to. The clock is ticking down as the nuclear sub is destined to detonate if it is broke back on line and back in the control of the military. If this happens the nuclear bomb will detonate “methane ice” in the trench which will set into action a global chain reaction that may turn the entire Earth into a fireball. In order to get down to the nuclear sub the government enlists the aid of Dr. Eric Chase and his team. Not only does Dr. Chase need to get down to the sub in only seventy-two hours but there are also survivors in the downed sub that are experiencing their own possible mutiny.
With script by Andy Schmidt (story by Schmidt & Andrew Cosby) and art by Chee this is a very fast paced thriller in the vein of the films The Abyss and Crimson Tide. Chee’s artwork as always is a marvel to behold and it brings the deep sea world of Challenger Deep to life. Schmidt’s script is very smart and intelligent and even though Dr. Chase is not a likable character at first the story gets deep into the motivations of why he is someone whom people hate but is dedicated to his profession when it really counts. Having the secondary story focus on the survivors trapped within the downed sub and how a mutiny within endangers the entire world is a great addition and allows the story to really feel the immediacy of the clock ticking down to Armageddon.
I really enjoyed this graphic novel and fans of this genre will find lots to enjoy as well.
CITY GARDEN - "The Old Woman & The Park"
On the set of the short film "A Gift"
Wednesday, September 8, 2010
Graphic Novel Review: THE UNWRITTEN Vol. 1
I picked up this collection of the first 5 issues of Vertigo’s The Unwritten series for two reasons – 1) because it’s a Vertigo title and 2) because I heard very good things about the series. This first volume called “Tommy Taylor & the Bogus Identity” was not my idea of a very good series. Although I usually enjoy Vertigo’s titles, The Unwritten, despite the great praise, is not my type of book.
The story follows Tommy Taylor whose adoptive father made him the fictional character of a hugely successful series of fantasy novels. When validity of his true background comes into question Tommy sets out trying to discover his true roots but soon realizes that his life parallels that of the fictional character in the novels. As Tommy gets closer to learning the truth his life is thrust into an eerie world of dark fantasy that will forever change his life.
The series plays like a darker version of the popular Harry Potter novels if they based in reality. Bad news for me as I’m not a big fan of fantasy nor Harry Potter so this series didn’t hold my interests too well. The series is written by and art by Mike Carey & Peter Gross, who were behind Vertigo’s other popular series Lucifer. Although I’m not a fan of this series there is no denying that it’s extremely well written and researched and that Carey and Gross have a very huge story that they are telling. For fans of dark fantasy mixed with reality this is definitely the series for them. The story has a very rich history and plenty of supporting characters to support a very long run. Even though I wasn’t a fan of the series there is no denying that readers who enjoy this type of fantasy will enjoy what Carey and Gross have in store for them. Vertigo is always stretching boundaries and this series is no different.
The story follows Tommy Taylor whose adoptive father made him the fictional character of a hugely successful series of fantasy novels. When validity of his true background comes into question Tommy sets out trying to discover his true roots but soon realizes that his life parallels that of the fictional character in the novels. As Tommy gets closer to learning the truth his life is thrust into an eerie world of dark fantasy that will forever change his life.
The series plays like a darker version of the popular Harry Potter novels if they based in reality. Bad news for me as I’m not a big fan of fantasy nor Harry Potter so this series didn’t hold my interests too well. The series is written by and art by Mike Carey & Peter Gross, who were behind Vertigo’s other popular series Lucifer. Although I’m not a fan of this series there is no denying that it’s extremely well written and researched and that Carey and Gross have a very huge story that they are telling. For fans of dark fantasy mixed with reality this is definitely the series for them. The story has a very rich history and plenty of supporting characters to support a very long run. Even though I wasn’t a fan of the series there is no denying that readers who enjoy this type of fantasy will enjoy what Carey and Gross have in store for them. Vertigo is always stretching boundaries and this series is no different.
Film Review: BASKET CASE 3: THE PROGENY
Writer/director Frank Henenlotter decided to bring the separated Bradley twins back for one last adventure in Basket Case 3: The Progeny. You’d think that after the events of the last film that there was nowhere else for the franchise to go but Henenlotter has decided to give the deformed Belial Bradley brother a brood of his own.
The final film in the trilogy begins right after the events of the previous film in which Duane Bradley (Kevin Van Hentenryck) has accidentally killed the love of his life Susan and going a little crazy has decided that it is better if he and his brother Belial no longer be separated so he surgically connects them together again. In the new film Duane is just a little crazy having been re-separated from his brother by Granny Ruth (Annie Ross) who decides to pack up all the “freaks” of the house and travel to Uncle Hal’s (Dan Biggers) home because he is the only one who may be able to deliver Belial’s brood without harming the mother. Things begin to get out of hand when Duane decides that it’s best that he and his brother escape Granny Ruth but his attempts at escape bring the unwanted attention of the police. When the police break into Uncle Hal’s home they discover the existence of Granny Ruth’s freaks and decides to take Belial’s brood hostage. This doesn’t sit too well with Belial or Duane or Granny Ruth and the rest of the freaks as they set out to avenge the death of Belial’s mate and the kidnapping of his brood. It’s an all out battle between the freaks and the normals and nothing will ever be the same as Granny Ruth and the rest of her brood refuse to remain hidden from the world.
Not one to repeat himself Henenlotter decides to evolve the story of freaks everywhere as this is a film in which Duane must come to terms with his place in the world whereas Belial has already found his place and he will stop at nothing to protect his own and his family. Whereas in the earlier films it was Belial protecting Duane it is now Belial protecting his children and Duane protecting Belial and all of his fellow freaks. The story comes full circle in the third film.
Fans of Henenlotter should not be worried as the film is filled with over the top gore and humor from beginning to end and a fitting end to one of the horror genre’s most imaginative trilogies.
The final film in the trilogy begins right after the events of the previous film in which Duane Bradley (Kevin Van Hentenryck) has accidentally killed the love of his life Susan and going a little crazy has decided that it is better if he and his brother Belial no longer be separated so he surgically connects them together again. In the new film Duane is just a little crazy having been re-separated from his brother by Granny Ruth (Annie Ross) who decides to pack up all the “freaks” of the house and travel to Uncle Hal’s (Dan Biggers) home because he is the only one who may be able to deliver Belial’s brood without harming the mother. Things begin to get out of hand when Duane decides that it’s best that he and his brother escape Granny Ruth but his attempts at escape bring the unwanted attention of the police. When the police break into Uncle Hal’s home they discover the existence of Granny Ruth’s freaks and decides to take Belial’s brood hostage. This doesn’t sit too well with Belial or Duane or Granny Ruth and the rest of the freaks as they set out to avenge the death of Belial’s mate and the kidnapping of his brood. It’s an all out battle between the freaks and the normals and nothing will ever be the same as Granny Ruth and the rest of her brood refuse to remain hidden from the world.
Not one to repeat himself Henenlotter decides to evolve the story of freaks everywhere as this is a film in which Duane must come to terms with his place in the world whereas Belial has already found his place and he will stop at nothing to protect his own and his family. Whereas in the earlier films it was Belial protecting Duane it is now Belial protecting his children and Duane protecting Belial and all of his fellow freaks. The story comes full circle in the third film.
Fans of Henenlotter should not be worried as the film is filled with over the top gore and humor from beginning to end and a fitting end to one of the horror genre’s most imaginative trilogies.
Film Review: BASKET CASE 2
For horror fans the name Frank Henenlotter is not only synonymous with horror but also the strange and unusual and comedy as well…just all within the same film. Henenlotter first success was the original Basket Case but it would be with its sequel Basket Case 2 that he would set the horror world on fire with his offbeat sense of humor, characters, and gore.
After the apparent death of separated Siamese brothers Duane (Kevin Van Hentenryck) and Belial Bradley, the two are whisk away to a hospital where they are on their death bed and held captive for murder. They are rescued by Granny Ruth and her granddaughter Susan (Annie Ross and Heather Rattray, respectfully) who run a half way house for mutants and freaks like them. As Duane and Belial recover from their injuries Duane begins to feel that in a house of freaks he is the one who’s the real freak and starts to ponder a life outside in the normal world where he will no longer be looked upon as a freak. Trouble starts to arise when a nosy reporter starts snooping around and threatens everyone at Granny Ruth’s forcing Duane to choose between his brother and his old life and that of the life he wants to have.
The thing that makes Henenlotter’s films such great horror entertainment is that his films are not just about the outcasts of society (i.e. Frankenhooker and Brain Damage) but they also are the heroes of his films whereas the “normal” people are usually the villains despite the horrific nature of his films. Although Belial is a killer he never kills unless provoked or is protecting someone.
I’m a huge fan of films in which the “freaks” are the main characters of the film as some of my favorite films are Freaks (1932) and Clive Barker’s Nightbreed and my favorite stories are The Hunchback of Notre Dame and The Phantom of the Opera. I must add though that Henenlotter’s films are an acquired taste as the gore and humor are very tongue in cheek. It’s takes a special type of horror fan to appreciate Henenlotter’s contribution to the horror genre.
After the apparent death of separated Siamese brothers Duane (Kevin Van Hentenryck) and Belial Bradley, the two are whisk away to a hospital where they are on their death bed and held captive for murder. They are rescued by Granny Ruth and her granddaughter Susan (Annie Ross and Heather Rattray, respectfully) who run a half way house for mutants and freaks like them. As Duane and Belial recover from their injuries Duane begins to feel that in a house of freaks he is the one who’s the real freak and starts to ponder a life outside in the normal world where he will no longer be looked upon as a freak. Trouble starts to arise when a nosy reporter starts snooping around and threatens everyone at Granny Ruth’s forcing Duane to choose between his brother and his old life and that of the life he wants to have.
The thing that makes Henenlotter’s films such great horror entertainment is that his films are not just about the outcasts of society (i.e. Frankenhooker and Brain Damage) but they also are the heroes of his films whereas the “normal” people are usually the villains despite the horrific nature of his films. Although Belial is a killer he never kills unless provoked or is protecting someone.
I’m a huge fan of films in which the “freaks” are the main characters of the film as some of my favorite films are Freaks (1932) and Clive Barker’s Nightbreed and my favorite stories are The Hunchback of Notre Dame and The Phantom of the Opera. I must add though that Henenlotter’s films are an acquired taste as the gore and humor are very tongue in cheek. It’s takes a special type of horror fan to appreciate Henenlotter’s contribution to the horror genre.
Film Review: George A. Romero's SURVIVAL OF THE DEAD
Few directors have had as profound effect on the horror genre as writer/director George A. Romero and his contributions to the zombie genre are legendary so it is with great excitement that I can talk about his latest zombie epic is his ever expanding …Dead series Survival of the Dead. Not so much a direct sequel to the previous film Diary of the Dead but a spinoff as it features one minor character from that film and expands upon his story.
This new film follows Nicotine Crocket (Alan Van Sprang) and his fellow soldiers who have gone AWOL do to the world going to the zombies. He and his platoon are now just trying to survive in a world overrun by zombies which means stealing and looting from those who are unfortunate enough to come across their path. Their luck may have changed when they come across the possible safe refuge of Plum Island only when they get there they realize that the residents of the island have their own civil war going on. Ever since the dead began to rise from the grave the two Irish clans that populate the island the O’Flynns and the Muldoons have been killing each other. The O’Flynns wants to kill the dead no matter who it is to protect the living whereas the Muldoons wish to preserve the dead in the hopes that a cure be found and if not a cure than a means in which to get the dead to eat something other than other humans. When Crocket and his team get to the island he realizes that he is caught in the middle of a war that will have consequences on all sides.
Fans of the zombie genre may be a tad disappointed by the film as there is very little zombie massacre to be had. Instead this film is a character study between three sides of one of the most important questions in regards to what should be done if a zombie apocalypse was to ever happen. How much “humanity” do we lose when the world becomes a living hell? And can the dead be domesticated?
Romero’s film is filled with the same humor displayed is his Dawn of the Dead especially in terms of the way in which the zombies are killed. This is a highlight of the film as Romero has been a tad too serious with the last two …Dead films. This film has a lot more humor despite the social commentary that is abound in a Romero film. Fans and critics who dismissed his last film for it being too apparent with the social commentary (the film was criticized for being two transparent and repetitive) don’t have to worry about this film as Romero has a lot more fun with the material and it makes for one great entertaining ride. This film will also keep gore hounds happy as it is a Romero film and gore can be found everywhere, it just has more of a sense of humor.
Produced for an estimated $4 million (more than his previous film) it’s surprising that the film wasn’t given a wider release although it did preview a month earlier on VOD, Amazon, etc. for download which is fast becoming the norm for indie films in order to recoup costs. Considering that the popularity of zombie films have been on the rise it’s hard to imagine why this film (especially since it’s a Romero film) didn’t get a wider release. Regardless, it’s a thought provoking and entertaining zombie film that will definitely find an audience once it hits DVD.
This new film follows Nicotine Crocket (Alan Van Sprang) and his fellow soldiers who have gone AWOL do to the world going to the zombies. He and his platoon are now just trying to survive in a world overrun by zombies which means stealing and looting from those who are unfortunate enough to come across their path. Their luck may have changed when they come across the possible safe refuge of Plum Island only when they get there they realize that the residents of the island have their own civil war going on. Ever since the dead began to rise from the grave the two Irish clans that populate the island the O’Flynns and the Muldoons have been killing each other. The O’Flynns wants to kill the dead no matter who it is to protect the living whereas the Muldoons wish to preserve the dead in the hopes that a cure be found and if not a cure than a means in which to get the dead to eat something other than other humans. When Crocket and his team get to the island he realizes that he is caught in the middle of a war that will have consequences on all sides.
Fans of the zombie genre may be a tad disappointed by the film as there is very little zombie massacre to be had. Instead this film is a character study between three sides of one of the most important questions in regards to what should be done if a zombie apocalypse was to ever happen. How much “humanity” do we lose when the world becomes a living hell? And can the dead be domesticated?
Romero’s film is filled with the same humor displayed is his Dawn of the Dead especially in terms of the way in which the zombies are killed. This is a highlight of the film as Romero has been a tad too serious with the last two …Dead films. This film has a lot more humor despite the social commentary that is abound in a Romero film. Fans and critics who dismissed his last film for it being too apparent with the social commentary (the film was criticized for being two transparent and repetitive) don’t have to worry about this film as Romero has a lot more fun with the material and it makes for one great entertaining ride. This film will also keep gore hounds happy as it is a Romero film and gore can be found everywhere, it just has more of a sense of humor.
Produced for an estimated $4 million (more than his previous film) it’s surprising that the film wasn’t given a wider release although it did preview a month earlier on VOD, Amazon, etc. for download which is fast becoming the norm for indie films in order to recoup costs. Considering that the popularity of zombie films have been on the rise it’s hard to imagine why this film (especially since it’s a Romero film) didn’t get a wider release. Regardless, it’s a thought provoking and entertaining zombie film that will definitely find an audience once it hits DVD.
Film Review: RED (2008)
The novels of writer Jack Ketchum have thus far been given justice The Lost, The Girl Next Door, Offspring, and now Red, which is by far the best of the lot. Although the film has had a troubled past (with original director Lucky McKee being replaced by Trygve A. Diessen), the end result has not been affected. Red is a captivating and engaging film from beginning to end due in no small part by the commanding performance of star Brian Cox.
Cox is Avery Ludlow, a general store owner who likes to spend his days fishing with his trusted companion Red, which is the last remnant of his dear departed wife. On one seemingly uneventful day Ludlow is enjoying a good day of fishing with Red when three teens come upon them. The teens intend to rob Ludlow but he has no money on him and they in turn shoot and kill Red out of spite. Ludlow goes to the authorities but there is little justice to be had when an animal is killed no matter how beloved the animal is. Ludlow then sets upon getting justice from the parents of the teens but the parents are oblivious of their children’s activities and Ludlow soon realizes that because one of the teens is the son of a wealthy business that money can buy anything. Ludlow then goes to desperate measures in order to get justice for the death of Red which will lead to actions that he won’t soon be able to take back.
Unlike the previous films adapted from Ketchum’s work this film is not violent as all the violence is off screen or in the shadows. Instead, this film plays upon the emotional violence inflicted on Ludlow and how that violence can make a peaceful man into a violent one.
Red is an excellent example of how an actor can drive a film despite everything else that may happen with the film. After McKee was let go so too was Angela Bettis and Diessen does bring with it the cache of McKee but despite this the film is headlined by Cox but has genre favorites Tom Sizemore, Asley Laurence, Robert England, and Amanda Plummer among its amazing cast. This is one of those films that if you’re a pet owner that once you see the film you won’t soon forget it.
Cox is Avery Ludlow, a general store owner who likes to spend his days fishing with his trusted companion Red, which is the last remnant of his dear departed wife. On one seemingly uneventful day Ludlow is enjoying a good day of fishing with Red when three teens come upon them. The teens intend to rob Ludlow but he has no money on him and they in turn shoot and kill Red out of spite. Ludlow goes to the authorities but there is little justice to be had when an animal is killed no matter how beloved the animal is. Ludlow then sets upon getting justice from the parents of the teens but the parents are oblivious of their children’s activities and Ludlow soon realizes that because one of the teens is the son of a wealthy business that money can buy anything. Ludlow then goes to desperate measures in order to get justice for the death of Red which will lead to actions that he won’t soon be able to take back.
Unlike the previous films adapted from Ketchum’s work this film is not violent as all the violence is off screen or in the shadows. Instead, this film plays upon the emotional violence inflicted on Ludlow and how that violence can make a peaceful man into a violent one.
Red is an excellent example of how an actor can drive a film despite everything else that may happen with the film. After McKee was let go so too was Angela Bettis and Diessen does bring with it the cache of McKee but despite this the film is headlined by Cox but has genre favorites Tom Sizemore, Asley Laurence, Robert England, and Amanda Plummer among its amazing cast. This is one of those films that if you’re a pet owner that once you see the film you won’t soon forget it.
Film Review" SPLICE
There are few sci-fi – horror films that try to blend both of the genres and do it in a satisfactory manner. The ALIEN franchise and EVENT HORIZON are the ones that come to mind as well as writer & director Vincenzo Natali’s CUBE, so it is with great pleasure that I recommend Natali’s latest film SPLICE as one of these rare hybrids that actually work.
The film is about two geneticist Clive and Elsa (Adrien Brody and Sarah Polley, respectfully) who embark on splicing human DNA with that of an animal hybrid in order to further the advancements of mankind in the hopes of finding cures for various human ailments. Their experiment goes further than they expected when they give birth to a humanoid creature they later name “Dren.” At first everything starts off as a simply experiment as the two scientist try to learn as much from Dren as possible all the while keeping her existence a secret as they’ve just broken many legal and moral laws. The older Dren gets the more human she becomes and Clive and Elsa’s creation no longer can be described as an experiment as she becomes more and more fed up with being locked away from the world. Clive and Elsa soon realize that their experiment may have the better of them as Dren possesses more abilities than they could have ever hoped for.
The film delves deep into parental responsibly which is evident from the Frankenstein homage and motifs throughout the film but it goes deeper by updating the story for modern times in which genetic manipulation is reality. The emotional weight of the film comes from the moral implications and conflict between Clive and Elsa and their child “Dren.” The horror comes when that child grows up and the parents have not adequately prepared her for the outside world.
The film succeeds because the concepts and themes are the fears of every parent of their child and for a horror film they are multiplied exponentially. With a Natali film you’re guaranteed complex characters and a human story wrapped within the complexities of a sci-fi film that has a horrific outcome. He succeeds where so many others fail and SPLICE is truly a success story 100%.
The film is about two geneticist Clive and Elsa (Adrien Brody and Sarah Polley, respectfully) who embark on splicing human DNA with that of an animal hybrid in order to further the advancements of mankind in the hopes of finding cures for various human ailments. Their experiment goes further than they expected when they give birth to a humanoid creature they later name “Dren.” At first everything starts off as a simply experiment as the two scientist try to learn as much from Dren as possible all the while keeping her existence a secret as they’ve just broken many legal and moral laws. The older Dren gets the more human she becomes and Clive and Elsa’s creation no longer can be described as an experiment as she becomes more and more fed up with being locked away from the world. Clive and Elsa soon realize that their experiment may have the better of them as Dren possesses more abilities than they could have ever hoped for.
The film delves deep into parental responsibly which is evident from the Frankenstein homage and motifs throughout the film but it goes deeper by updating the story for modern times in which genetic manipulation is reality. The emotional weight of the film comes from the moral implications and conflict between Clive and Elsa and their child “Dren.” The horror comes when that child grows up and the parents have not adequately prepared her for the outside world.
The film succeeds because the concepts and themes are the fears of every parent of their child and for a horror film they are multiplied exponentially. With a Natali film you’re guaranteed complex characters and a human story wrapped within the complexities of a sci-fi film that has a horrific outcome. He succeeds where so many others fail and SPLICE is truly a success story 100%.
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